All 5 fretboard positions with TAB for the major scale (Ionian mode). The foundation of pop, country, rock, and classical guitar.
Root on low E at fret 3 (G). The yellow F# is the leading tone, the note one semitone below the root that gives the major scale its signature resolution.
Start here. Root (G) on low E at fret 3. The leading tone (F#) is on the high e at fret 7 and low E at fret 7.
Extends from position 1 up the neck. Root (G) on A string at fret 10. Leading tone (F#) on G string at fret 7.
Mid-neck position. Root (G) on G string at fret 12 or D string at fret 5. Leading tone (F#) on D string at fret 9.
Octave position of Position 1. Root on low E at fret 15. Leading tone (F#) on high e at fret 19.
High neck position. Connects back to Position 1 an octave higher. Leading tone (F#) on A string at fret 16.
| Feature | Major Scale | Natural Minor Scale |
|---|---|---|
| Intervals | 1, 2, 3, 4, 5, 6, 7 | 1, 2, b3, 4, 5, b6, b7 |
| Defining note | Major 3rd (bright, happy) | Flat 3rd (darker, sadder) |
| Sound quality | Bright, resolved, uplifting | Dark, emotional, tense |
| In C key: notes | C D E F G A B | C D Eb F G Ab Bb |
| Relative minor | vi chord (C major - A minor) | bIII chord (A minor - C major) |
| Diatonic chords | I ii iii IV V vi viio (3 major, 3 minor, 1 dim) | i iio bIII iv v bVI bVII (same chords, different tonic) |
| Famous genres | Pop, country, classical, gospel | Rock, metal, classical, folk |
| Key | Notes | Leading Tone | Low E Root Fret | Genres |
|---|---|---|---|---|
| C Major | C D E F G A B | B | 8 | Pop, Piano, Classical |
| G Major | G A B C D E F# | F# | 3 | Country, Folk, Rock |
| D Major | D E F# G A B C# | C# | 10 | Country, Pop, Rock |
| A Major | A B C# D E F# G# | G# | 5 | Rock, Bluegrass, Country |
| E Major | E F# G# A B C# D# | D# | 0 | Rock, Metal, Blues |
| B Major | B C# D# E F# G# A# | A# | 7 | Jazz, Classical, Pop |
| F Major | F G A Bb C D E | E | 1 | Classical, Jazz, Pop |
| Bb Major | Bb C D Eb F G A | A | 6 | Jazz, Gospel, Classical |
| Eb Major | Eb F G Ab Bb C D | D | 11 | Jazz, Classical, Gospel |
| F# Major | F# G# A# B C# D# E# | E# | 2 | Classical, Metal |
| Ab Major | Ab Bb C Db Eb F G | G | 4 | Jazz, Classical, R&B |
| Db Major | Db Eb F Gb Ab Bb C | C | 9 | Jazz, Classical, Cinematic |
| Genre | Common Keys | How It Is Used | Pro Tip |
|---|---|---|---|
| Pop / Singer-Songwriter | C, G, or D Major | I-V-vi-IV progressions (C-G-Am-F or G-D-Em-C). Major scale runs connect chord tones. | Practice scale-based melodies by targeting the 1, 3, and 5 of each chord as you pass through. |
| Country / Bluegrass | G, D, or A Major | Chicken-picking licks, crosspicking arpeggios, and fill runs all use major scale positions. | G major uses open strings (G B D E) which are all major scale notes. Easiest key to start with. |
| Rock / Classic Rock | E, A, or G Major | Lead runs over I-IV-V in major keys. Paul Gilbert and John Mayer use major scale runs extensively. | E major at the open position uses open low E and B strings as the root and 5th. Natural-sounding key. |
| Classical / Fingerstyle | C, G, or F Major | Bach, classical guitar etudes, and melody-based fingerpicking all use diatonic major scale motion. | C major has no sharps or flats. Learn it first. All diatonic chords (Am, Em, Dm, Bdim) are in C major. |
| Jazz / Fusion | Bb, Eb, or F Major | Ionian mode (the major scale) over major 7th chord targets. Bebop major scale adds a chromatic passing tone. | Jazz guitarists often use chord tones plus a few scale passing tones rather than running the full scale. |
| Gospel / R&B | Bb, Eb, or Ab Major | Major scale runs connecting gospel chord voicings. I-IV-V-I and turnaround licks use major scale positions. | Gospel major scale runs often emphasize the 3rd and 6th degrees for a bright, joyful character. |
The 5 G major positions start at: Position 1 (fret 3, root G on low E), Position 2 (fret 5-7 area, extends up), Position 3 (fret 8-10, mid-neck), Position 4 (fret 12, octave of Position 1), and Position 5 (fret 14-17). Each covers the full 7-note scale across all 6 strings. The same fingering shapes work in any major key at the correct root fret.
G major is the easiest because its root starts at fret 3 on low E, a natural hand position. E major at the open position uses mostly open strings (E-F#-G#-A-B-C#-D#). A major (root at fret 5 on low E) is the most commonly taught because Position 1 is in the middle of the neck with no open strings to confuse the fingering. Start with G major Position 1 if you want a single clear starting shape.
The major scale has a major 3rd, major 6th, and major 7th (formula: 1-2-3-4-5-6-7). The natural minor scale has a flat 3rd, flat 6th, and flat 7th (formula: 1-2-b3-4-5-b6-b7). In A: A major = A B C# D E F# G# (bright), A minor = A B C D E F G (dark). On guitar in Position 1 (root at fret 5), major uses C# on the B string at fret 6. Minor uses C natural at fret 5. That single note is the core difference.
The 7 diatonic chords in C major are: C major (I), D minor (ii), E minor (iii), F major (IV), G major (V), A minor (vi), B diminished (viio). Chords I, IV, and V are major. Chords ii, iii, and vi are minor. The viio is diminished. Every major scale produces the same pattern of chord qualities regardless of key. G major produces G-Am-Bm-C-D-Em-F#dim using the same I-ii-iii-IV-V-vi-viio pattern.